Wednesday, June 19, 2019

LO4: Evaluation of radio show


I feel my  radio show works well because I made a niche genre of show my own by targeting up coming artists in the Sheffield area with a focus on undground UK rap and  grime. As appose to other popular UK hip hop/ grime shows such as Capital Xtra and BBC 1Xtra, focus on already global artists and talent. Adding this element of up and coming, local talent on the feature I've made called 'Ice Box' creates chances for continuity for the listener, if there was for a repeated programme. This would bring in weekly listeners creating more exposure for these new artists being promoted. My demographic/ target audience I was appealing to was 18+ students in the Sheffield area. My adverts promoted a Sheffield based music event and taxi services. This is relevant and would fit in to my target audiences life style. Creating synergy with my demographic. I closely took inspiration from shows like BBC 1Xtra as this show represents my genre best as well as it appeals to my target audience. This meant I could follow codes and conventions of a UK grime show closely. Making for a natural flowing show, using similar conventions like repeating the programme jingle after songs and features/ sections. This keeps the listener informed as well as breaking up the programme into sections without disrupting the flow of my show. The language used by the presenters would resinate with the local Sheffield audience, using local slang and dialect creates for a peer to peer mode of address making for a friendly feel to the show that would  bring together a community. Because it is a Sunday night show it is a come down of the week. The presenters represent this in their voices and tone. Which is quite relaxed but passionate and engaging to the audience. The presenters clearly have a love for the music being presented. Having comfortable knowledge about the scene not appearing to be posing, is really important in this genre of show since it is a niche community.

The strengths of the show I thought to be was that it has a good balance of talking and music, that demonstrated a good knowledge of the underground music/ club scene, I feel this came from the script I produced. Also the sound assets fitted conventions of the show. Such as sound bites from iconic grime moments  and classic Dj sounds my target audience will be familiar with. I think the format gave the show a personality and character the listener would recognise and would be unique enough to stand out from other shows in the genre. I wanted the call ins/ giveaways to draw in and make a tight nit community since it engages the demographic to get involved in the show. Having a trade off so the listener supplies content for the show as well as getting something back. I feel this worked really well.

Weaknesses I found in my show was that some sound levels in terms of commentary was off. Such as some speech from each presenter was louder or quieter than others. To resolve this I feel if both presenters were to have a microphone each within production, sound monitoring would have been a lot better. The feature of 'Lotus' in the Ice Box section of the show was  a little quiet and low audio quality. This is due to it being recorded on an iPhone without separate audio. If I were to do this again I would set up the feature so they had a microphone with the music audio playing through the head phones. This would allow me in post production to match the separate pieces of audio together creating for a much cleaner sound and higher quality. The show had no news feature only the time it was being presented and a little bit of information about the artists impact in the music scene. Although, I felt not having a news section on the show did not effect the overall feel of the programme it could be a convention to add if I were to do this again. One change I had to make to the production was to re record some of my segments in terms of commentary. This was because the speech did not match the tone that should be an enthusiastic introduction. 

Overall I feel my radio station fits the brief. I am really happy with what I have produced because it fits codes and conventions, matches my target audience and is what I envisioned when starting this project. 


Tuesday, June 18, 2019

LO1: Brief

You have been asked by local community radio station, Sheffield Live!  to create a new and original radio show or drama.
You will create the first 5-10 minutes of the new radio show/ drama and include:
  1. Presenters/ voice actors 
  2. News bulletin
  3. Feature/ interview/ narrative 
  4. Jingle/ theme music 
  5. Bedding music/ sound/ effects
  6. Original advert
  7. Competition/ social media links

- In my group Is myself (Isaac Parker)

- I am making a Sunday night music radio show.

LO4: Advertisements


The advertisements I chose to do:

  •  Local music event that plays the genre of music i promote on the show. This advert fits into my audiences lifestyle.
  • Taxi service that promotes a safe experience at a cheap price. This synergises with my other music event advert.




LO3: Legal and Ethical Issues for Planned Show

Ofcom Broadcast rules


Section 1: Protecting the under-eighteens
I will not be able to broadcast anything on my radio station that could seriously impair the physical mental or moral development of under eighteens, therefore I must make sure that all content being put into the radio broadcast is not including offensive language to listeners of any age for the first hour of my show. This is because my show starts at 8 O'clock, even though my show is an evening show for a target audience of 18+, water shed is at 9 O'clock meaning the last two hours of the show can include language and sections of the show suitable for 18+ matching similar shows such as Charlie Sloths show on BBC 1Xtra. Which I researched for LO1. I will also have a guest/ features on the show to be interviewed so if I place these sections after the water shed their language won't have to be monitored and will result in a more casual show that flows well. 

Section 2: Harm and offence

My radio show has a competition and must follow the rules and regulations regarding competition so according to Ofcom, I must make sure that the competitions and voting is conducted fairly and that the viewer is not misled about the competition and voting. Rules will be said clearly and will repeat throughout the show. I also have to describe the prize clearly to the audience. I must make sure that any language that could offend someone is not used in the show as this could cause people to complain about the show risking getting removed from 'Sheffield Live!' being able to broadcast or it could alienate a certain type of audience this would affect listenership in a huge way.

Section 4: Religion

Since the Sunday Sessions show is being broadcast on the community radio Sheffield Live this means that a wide range of ethnicity and religions listen to the show, therefore, we must respect other religions in order not to offend any of them as again this could alienate an audience. In the show I won't touch on any subjects or matters with any religions so this should be easy to abide by.

Section 5: Due impartiality and due accuracy

Lying would go against the guidelines and also this could cause our audience not to trust information about artists and any of the news we address and this would not be a good connotation to have with our show. Saying news that isn't true could also be seen as defamatory and we could get prosecuted for spreading false information and get fined. If we were to publish false information we would need to make sure on the next broadcast that we try our best to inform our audience that we made a mistake and we need to make sure that our corrections are 'appropriately scheduled'.

Section 6: Fairness

I should avoid treating individuals or organisations unfairly, this is important as I talk about different organisations in my radio programme such as 'GRM daily'. Having a good relationship with individuals and organisations in terms of being fair will create a tight community as well as abiding to  rules.

Section 7: Privacy

Having a competition where people call in, I need to make sure that their privacy is contained as this comes into the data protection act as well as it's protecting their information. This will be done by only including the callers first name and selected information they want to disclose such as their Soundcloud profiles.

Section 9: Commercial references on TV

I need to make sure it is obvious where the advertisements are as the ofcom regulations state that we cannot make it seem like it's still part of the programme, I will make sure to do this by clearly applying sound fx to signify when advertisements are about to begin and finish.

Section 10: Commercial communications on the radio

Like I've said previously the 'advertisements must be clearly separated from the programme and no commercial arrangement is allowed if it includes a payment that could influence the rotation of music on the show. Another thing I need to make sure that I am following is the rule that states that there needs to be an arrangement between us and the third party wanting to advertise, this arrangement needs to be made before we advertise them.


Data protection act


I have a competition on the show so will be collecting people data. This is important because by law this means I must keep the interviewee's data safe, since if I do not and someone does access their data this could be bad for the show 'Sunday Sessions'  but worse on Sheffield Live! as they will get prosecuted for it. We can keep everyones data safe by encrypting it, this means that if someone does get to the data they wouldn't be able to read it, this is important as if they can't read it they don't have access to any actual useful data. We could also just make sure that our internet security is strong enough that no one will be able to get their hands on the data to begin with, limiting these risks. The data being collected will be mobile phone numbers as we call the audience so we will save their numbers, we must make sure that we encrypt these numbers and keep them safe as if anyone else gets this data there could be large consequences for our show. 

Copyright


Copyright is a very important element of legal and ethical for the show since I am going to be playing music. To play music which is copyrighted I will need to have a PRS licence to broadcast music as I will need to pay to have certain artist's music on the radio station. All radio stations will have to pay to play the music that they do, as they are taking other peoples intellectual property and broadcasting it. The people/ artists who's intellectual property it is, need credit and want to get paid because of all the work they've put into making the music. Therefore they want money for their efforts, this PRS license allows this.

Wednesday, June 12, 2019

LO3: Assets required for production

Music



Bedding music

LO2: Production technologies


The list of technologies below are used to produce a radio show, this equipment is industry standard:

Mixing Desk:
A mixing desk is used to change the quality and the levels of audio. It essentially changes the attributes of sound. it is used in radio production to loudest songs or define songs. They also allow you to manage multiple guests or hosts on your radio show.



Cart walls:
Cart walls are used for audio playback of various audio files. This is used in radio so they can play sound effects and the jingle when they want or need to.

Shock mount:
This keeps the mic in place so that vibrations don't disrupt the quality.



Microphone Processor:
A mic processor cleans up the audio, it removes back ground noises such as static. It also removes the harsh sound created by sibilants.



Microphone:
Used to record audio at a high quality.



Boom arm:
This is what the shock mount is connected to. It can be adjusted to fit the height and position you want.


OBS Studio softwear:
OBS is a High performance real time softwear that is capable of recording audio and streaming it live.

LO1: Investigation of a radio station


BBC 1Xtra


BBC radio 1Xtra is a subsidiary station owned by the BBC. The station broadcasts digital urban, contemporary and black music.


Shown above is a graph of BBC 1Xtras listenership weekly audience. From this graph you can see the a steady incline of listener ship from September 2003 - March 2019. The stations peak so far was September 2013 where they had almost 1,250,000 weekly listeners.

The BBC is a non profitable organisation, meaning it does not take money from companies or shareholders. Radio 1Xtra will be funded by the BBC from the profits they make from selling programmes to other broadcasting companies. Advertisements are not run on the BBC since it is non profitable, however they can promote and advertise their own shows.

BBC Radio 1 Xtras target audience is from 15-30 years of age. This is to fill the age gap of Radio 1's audience upper range of 35. The station is bespoke to its target audience, from speech/ slang to resinate with the young audience to news bulletins to be relevant to the audiences current position.

The stations content is varied since the wide range in underground music differs to which presenters are on at the current time. However weekday evening shows begin with Mista Jam hosting a three hour multi genre show. Following this is six hours of tailored music being out out by the various DJ's they have on the station. Music such as UK Garage, Grime, Afrobeat etc. 4am-6am slot is re runs of the best shows throughout the week. The most popular show is on a Friday night with Charlie Sloth, this is due to his feature on the show named, 'Fire in the booth'.

The only way of accessing the show is through DAB or other internet streaming programmes such as Sky, Freesat, Freeview or virgin media. However BBC 1Xtra have a website with live current shows or older shows that were played earlier in the week so listeners can catch up if they missed a show. I feel this is a very modern approach for a modern station so this is fitting to the genre.



Tuesday, June 11, 2019

LO3: Codes and conventions

RADIO TALK SHOW: Where are the following positioned in your script/ why are they important based on knowledge of scripts/ target audience/ radio talk shows: 
1. Slugline 
2. Margins and breaks 
3. Presenter names 
4. Timings 
5. Dialogue 
6. Music 
7. Sound effects 
8. Jingles 
9. Interviews/ features 
10. News 
11. Adverts 

SLUG LINE

The slug line in my script is justified to the top left of the page to inform the production team of the name of the show, the presenters who are involved in the script and the location of where the recording is going to take place ie: in the studio. This is an important element of a radio script as it gives an indication of who is going to be available for part of the production and where they need to be - this is similar to the BBC radio Sheffield script I have looked at previously as they have theirs justified to the top of the page in bold writing.

PRESENTERS


The presenters names on our script are justified in a column to the left of the page, this gives an indication of which presenter is talking and how long for. This is a convention that I have seen on the BBC radio Sheffield script , they keep their presenters names in turn at the left of the script page. This makes it easy for the presenters and personnel on set to read and understand who is talking at all times , especially as the presenters take it in turns.

MARGINS AND BREAKS


I have included several margins and breaks throughout the script to clearly define where the different elements of the script for example dialogue and sound effects begin and end . This makes it easier for personnel to read and understand the script so the show can flow better. This layout will benefit all the people who use the script as they will be able to clearly define when each effect needs to be used in the queue.



MUSIC FEATURED


Music featured on the script for Sunday Sessions will be featured regularly throughout the show after jingles, adverts, competitions talking points and phone ins. These short previews of music will be played after the jingle to introduce the beginning of the song - this Is a convention I have followed closely to BBC 1Xtras Charlie Sloth show. I will use mellow songs such as 'Ezro' by Murda Musik which will prove the intention of the show to start the listeners Sunday night off with an easy listen , this is the genre of music which is likely to be played by my student target audience. Following that we will be playing new releases from Presedant T-' Fury' this will show our shows versatility within grime and the underground English music scene. Showing how we have related it back to the conventions of traditional grime radio shows , with BBC 1Xtra as the example.



Dialogue


The dialogue throughout the script has been written to suit the area from which the show is being broadcasted for example using colloquial dialect from the area and sayings which those who live in Sheffield will understand. This is justified to the right hand side of the script, this is clearly divided up by the margins and breaks as mentioned before making it easy for the personnel to read and understand. The dialogue has been written with the target audience in mind as there are occasional interjections of local dialect and phrases such as 'That’s gas, big up the Sunday session' and 'Put us on'. I included informal speech because my target audience will resinate with this speech because it's British slang my target audience use in day to day life, making for an easy listen.

Sound effects

Sound effects featured within the script are justified to their own coloumb or  in bold text and highlighted in yellow making it easy for both the production team and presenters to read and understand. This would be most valued by the sound editors as it shows them clearly when and where the effects need to be played. This is a convention I have seen in the BBC script. Examples of the sound effects we have chosen are classic DJ sample sounds when talking about a staple subject or wanting to add exaggeration to a statement or start/end of a section. These are sounds that the listener will associate with the Uk underground music scene and popular radio shows which the listeners will be familiar with such as Capital Xtra.

Timing


The timing for the script is one of the most important aspects of a script as it gives us an estimation of running time, the timecode is justified to the left hand side of the script next to the presenters names so that we have an indication of how long it is going to take for each section to be said. This helps both the presenters and production teams and has proved useful for the BBC in their scripts as it helps the team stay on track and evaluate their usage of time throughout the duration of the show.



Interviews and features


As opposed to interviews , I have included a segment within my script which gives listeners the chance to phone in to submit a piece of music they have made, this segment creates a platform for small producers to promote their music on theshow. This is a direct reflection of our target audience as the younger demographic of listeners are likely to enjoy listening to new, unique music they have not heard anywhere else. The purpose of my show is to entertain the audience and create a community, therefore by including this segment we are showing how we have taken the convention of giveaways and put our own take on it. This makes for content within the show and repeat listenership because the show gives back to the community we have made. The feature I have chose 'Ice Box' has a simple catchy name so my audience become familiar with the section quickly. This convention is seen in the BBC 1Xtra show 'Fire in the booth'. Focussing it around the Sheffield area allows us to create a niche platform to promote new Sheffield talent, this will bring in new listers because we will attract the artists  fan base.



News


I have not included a news section on my show because it was not necessary.  I felt It would take away from the music my show is heavily orientated around and would break up the flow of the show. Instead I have just included the time at the start and end of the show as this sticks to a common convention you hear in almost every BBC radio show.


Jingles


I have justified the jingles to their own column of  the script, this makes for an ideal location for the production team to read because they are bold and not easily confused with the rest of the script. This is helpful for the presenters as it serves as a form of cue for the next song or segment.  By including regular jingles we are following the conventions of a music talk show as this is something I have seen on shows of this genre such as BBC 1Xtra and Capital Xtra. 

LO2/3: Creating an audio jingle

Jingle/ slogan : 'You're locked in to the sounds of SUNDAY SESSIONS'


My jingle music is a royalty free 'Grime beat' from Soundcloud. The grime style beat reflects the genre of my show and fits conventions.




This track has an echo effect on it to create layers to the audio, I used the razor tool to cut the voice track up so the 's' sound repeats and stutters.



Base Commentary - "You're locked in to the sounds of the Sunday Session" I used an audio generator to get this female robotic sounding voice.  The female voice is a clear contrast to both presenters this breaks up the show and makes it clear that it is a jingle and not another segment of the show.



Final Edit

My jingle was 7 seconds long, to signal the jingle is finishing I added an explotion sound effect. This matches the up beat tone of the jingle.

LO4: Evaluation of radio show

I feel my  radio show works well because I made a niche genre of show my own by targeting up coming artists in the Sheffield area with a f...